In Rainbows – followup

I listened to Radiohead’s “In Rainbows” sixteen times straight through, in order, before I felt the need to listen to something else.

That something else? Spoon’s “Ga Ga Ga Ga Ga”. “The Underdog” is catchy pop and it’s going to be added to my running playlist immediately.

But after a couple of listenings… I’m back with Radiohead. Just sayin’. I loves it. Especially “Reckoner” and the closer, “Videotape”.

Why I care about the environment

In honor of Blog Action Day for the environment, which is today, I just wanted to say, very briefly, why I care about the environment and why I take the threat of global climate change very, very seriously.

Yes, I’m generally a rational person, and I have a scientific bent. Yes, I’m a progressive and a liberal, and the environment is traditionally a concern for progressives and liberals. Yes, I’m an atheist and therefore I accept, whole-heartedly, the idea that humans can affect the environment and the planet.

Yes, yes, all of that is true. But it’s not the main reason.

The main reason I care about the environment and why I take the threat of human-caused global warming seriously is because it pisses off the dead-ender right-wing trolls. Trolls like “Curt” who vented his impotent rage in the comment thread of my previous post.

For every comment I get on my blog that is anti-global climate change, anti-environment, or anti-progressive/liberal causes in general, I’ll be making a donation to an environmental group, like Greenpeace, The Nature Conservancy or The Sierra Club.

Feel free to try to break the bank, dead-enders… It’ll only hurt you in the long run by energizing your “enemies”.

Did you see..?

I noticed a little drop-off in the past few days in my readership. Sorry, folks, been busy with various things, one of which is preparing for NaNoWriMo, another of which is a refresh of the site design and possibly a whole new look. Plus I’m working to re-add some features I had before (I miss my picture gallery) and maybe add more features, like a tag cloud.

But I’ve also found some interesting stuff on the internets and in the interest of having some content here without too much thought, I’m sharing! Did you see:

  • Albert Gore shares the Nobel Peace Prize with the UN IPCC panel. That means that Steve Jobs wins one, too. By proxy.
  • Where in the world is Carmen Sandiego? Apparently someone found her in a train station.
  • Speaking of strippers, apparently they pull in more tips when they’re fertile. A lot more – almost twice as much per five hour shift. New Scientist tells about the study.
  • Crazy Fox “News” correspondent John Gibson makes the music bloggers at Stereogum laugh out loud at the thought of “classic hip hop” – is it like “classic rock”?

    “What happens in a classical hip-hop shooting? Does it have to have a message, or is it more light-hearted and fun than newer, more recent shootings? Are there Puba Snacks? Anyone know?”

  • The folk at the ‘Gum also posted about a mashup of one of my favorite tracks from the new Radiohead album and DJ Shadow. One day after the release of the album. I wasn’t ready for a mashup then. I’m still not. Damn this internet time!
  • Blogs typically need a theme, an idea, a motivating force behind the posts; politics, music, you name it. (That’s probably why my blog isn’t super-popular – it’s a mish-mash). Sometimes the motivating force is, well, hilarious. Like The “Blog” of “Unnecessary” Quotation Marks. You’re welcome.
  • This image is supposed to be a test for which hemisphere of your brain is dominant, left or right. Which hemisphere of your brain is dominant is supposed to reveal personality traits; left brain is more linear and rational, right brain is more emotion-driven and creative. Some folks, like Jason Kottke and Markos Moulitsas Zúniga, can make the image change directions. Why can’t I make the image change directions?! More importantly, when did my right brain become dominant? I’ve always considered myself more of a left-brainer. Maybe if I work harder at making the image go the other direction…
  • Oh, did you hear? Between Radiohead offering their latest album for download for whatever you feel like paying, Trent Reznor cutting ties with Universal Music Group, and Madonna apparently doing likewise… looks like the future of the Big 4 music labels as middlemen is, um, doomed.
  • Oh, and Albert Gore, the man who by any just measure won the 2000 US presidential election, won the Nobel Peace Prize. Nifty. President Bush? Still endangering our children and killing our men and women. Yay, Supreme Court. Hope all y’all can sleep at night.
  • There was a darker theme emerging from the personal blogs I perused last week, too. Grace, Undressed posted a moving piece that shows what a lop-sided relationship looks like. And College Call Girl bravely revealed her history of assault. And, almost in antidote, Athena revealed, in detail, her experience with assault – and then follows it with an amazing tale of self-discovery and shows her plans to use that experience (among others) to strengthen her self-image and her life. It saddens me that these ladies’ stories are commonplace.

…and that’s the week that was! Tracy’s gonna hate this post – she doesn’t click my links.

Elephant in the room

This is the first sentence in David Reinhard’s column* in today’s Oregonian:

Things must be improving in Iraq, because you don’t read or hear about it as much these days. If things were getting worse — or staying the same — you can bet the big networks and newspapers would be out spreading the news.

Hmmm… gee, yeah, that’s a good point. Tell me, David Reinhard, Associate Editor for The Oregonian, the oldest and largest continuously-published newspaper in Oregon and the Pacific Northwest, owned by Advance Publications, a major media corporation… can you think of any reason why there’s so little news about the daily bloodshed in Iraq? I wonder who is in control of that whole “reporting” and “getting out the news” thing that has apparently so stymied Mr. Reinhard? Oh, well, I guess “people” just don’t seem to want to hear about this stuff. That’s why it’s not in the papers.

* Link disappears down the memory hole in 14 days. Not my doing, sorry. If anyone knows how to link to Reinhard’s column so that it will work longer, I’d be happy to hear it.

Falling in

I go most places alone. It’s not that I don’t have friends, many friends, good and dear friends with whom I’ve shared good and bad times, people I respect and care about, and who seem to feel the same way about me.

My friends, though, have responsibilities, houses and children, others who depend on them, jobs that require their full attention, savings plans that are a life raft against future tsunamis. Adult stuff. Insurance. Taxes. Paperwork. Caring for the future.

Me, on the other hand? Not so much.

If I spend a night out drinking, the only one who pays is myself, and time (or more drinking) erases the immediate cost. I don’t own a car so I won’t drink and drive. And if I blow my savings on strippers and pizza… if I run off to Vegas on a whim… If I jump out of a perfectly good airplane… there are no children’s tummies which will want for nutrition, no widow left behind to mourn my passing and curse my foolhardiness, no estate that will go unclaimed amongst my heirs, no work left unfinished.

As long as I pay my bills and my rent, I feel free to do whatever I want with whatever is left over.

So last week, on a Monday night, I walked into the Devil’s Point in dirty southeast, a fat roll of cash in my pocket.

I flirted with the bartender, who appears to be a former (or current) exotic dancer herself, though clad in t-shirt and jeans, and got the Drink of My People (Bombay Sapphire gin and tonic, twist of lime). I small talked with the folk at the bar, and looked around the place.

Being alone a lot in venues like these, I’ve been de-sensitized to how I must appear to others. But lately I’ve realized that people can, and do, notice. What’s the best way to counter the “lonely guy” look? Strike up a conversation with others, join their group, and show that I am, in fact, just as much a social creature as any other hairless ape. Or, better yet, talk to many groups. Be the life of the party, the host with the most, the guy with a gift for gab.

Those of you who know me can stop smirking now.

Drink in hand, I walked, shoulders back and relaxed, smiling, moving slowly but with determination amongst the tables full of hipsters and goths, to the stage. A dancer I did not recognize was finishing up, and there were two groups of people seated at the rack, on opposite sides of the stage. By pure chance I chose the group closest to me. Two guys and a girl. The guys wore button shirts and slacks, dress shoes, one with tie, the other in a sweater vest. The girl had on dress pants and a white blouse, blonde short hair, glasses.

I sit down. I engage them in conversation. We banter back and forth. They ask me if I have a light for their cigarettes, and I decline, and tell them two out of three vices are enough for me (drinking and lap dances). The blonde guy makes a joke about being French and I make a comment about him knowing his vices, but he takes it as a comment about surrendering and the French, which gets a little personal (I meant no insult, but I can’t tell if he took it that way or was just playing along with what he thought I’d said) so I drop that thread and mention to the whole group that I think Monday nights is “Fire Dancing” night at the Devil’s Point, which causes them to grill me on what, exactly, that means and am I sure?

I’m not sure, but I like the idea of being the guy who knows, so I play it off. Depends on who’s dancing tonight, I tell them. It’s a good show, I understand. One of the dancers is especially known for her fire dancing; if she shows up, wow, watch out.

Several songs of banter go by, but no dancers take the stage. I came in right at shift change. Old shift leaving, new shift getting ready. I notice Stormy, and Rocket, and Selena, all coming and going from the dressing room, talking to the bartender, talking to the DJ.

Finally the dancers come out, one at a time, two or three songs each, slowly getting naked as the songs progress. This is the show. This is the entertainment. The punk rock, the Goth-y dancers, the buzz of alcohol, the sting of smoke. This is why I’m here.

I toss a dollar on stage for each song. If I like the song, sometimes I’ll toss more than one. It’s strip club etiquette.

The guys I’m with are throwing fives, tens and twenties on the stage. Each. Per song.

Who are these guys? That’s my first thought.

I hope I don’t look cheap next to these guys. That’s my second thought.

I picked exactly the right group to talk to. That… man, I wish I could say that was my third thought, but that did not occur to me until much later.

The dancers give the big spenders attention, but they give me attention, too, just as they give attention to the group at the other end of the stage. In fact, the group at the other end of the stage get a little more, because they seem to be regulars and well-known by several of the dancers, Selena in particular. I don’t particularly care, but the party I’m with… they notice. And they start throwing more money on stage.

They run out of bills, so the guy in the tie gives some money to the girl, who goes back to the bar to change it. She comes back with a huge stack, maybe singles, maybe more, I can’t tell. I make note of that transaction – tieguy, to girl, to bar, back to tieguy.

Tieguy makes some joke about how there’s not enough girls in the club for him to… do… something. The punch-line is lost in the noise. I laugh anyway, and nod, and turn back to watch Stormy take the stage. Sweet, hot, Stormy.

And tieguy catches my eye. Pulls a twenty dollar bill off his roll. And tosses it at me, across the corner of the stage.

I remembered him giving a twenty to the girl to get change. Is that what he’s doing with me? I suddenly felt a power struggle. Was I the knowing insider, helping these newbies have a good time on my home turf? Or was I the help, the service staff, here to help them and make them comfortable?

We had what an improviser would call an imminent status game. Was I high status to them, or low status?

I smiled, oddly, crookedly. I slowly reached out, poked the bill, picked it up, held it in the air, looked at tieguy…

…and I tossed it back at him.

His eyes got big. His companions grew quiet. I did nothing more.

“Seriously?!” tieguy said. It was loud, but I could hear him. I heard incredulity in his question.

The girl looked at tieguy, then leaned over and whispered at sweatervestguy. Sweatervestguy leans over to me.

“Dude… he just gave you twenty dollars.”

“I know,” I said. Did I misinterpret something?

“And you just threw it back.”

“Right.” I nodded at the money. “Did he want me to get him change? A drink?”

He looks at his friends, back at me. “No. For you to spend.”

He scooped the bill off the stage. “Don’t worry. I’ll handle this. I’ll go get some ones, and when I come back I’ll split them with you.” He leaned back to his friends, they whispered amongst themselves. I turned back to the stage, tossed a dollar up for Stormy, finishing her set. Did she see this interaction?

Tieguy got up from his chair and came over. His initial whatthefuck look had been replaced with flummoxed. “Dude? What just happened?”

“I meant no insult. I just wasn’t sure what your intentions were.” I sounded calmer than I felt. Drug dealers? Organized crime? Was I going to get whacked when I left here tonight? Did the blonde dude go to call in reinforcements? Did I watch too many Mafia movies? Let the defendant state for the record, your honor, that to the best of my recollection, none of them appeared to be packin’ heat. “You have to understand – stuff like that doesn’t normally happen to me.” I hoped that didn’t sound as lame to him as it sounded to me.

“Right, right… true. I was just being… It’s just…” he shook his head, looked back at the girl, glanced to see where sweatervestguy was in the bar, “that guy? He’s my boss.” This last seemed dragged out of him. He appeared loathe to say it.

The dymanic changed again, with just a few words spoken. Boss? Tieguy is subordinate? He seemed the more powerful one, when he was handing money to the girl and tossing large bills on stage, and joking about not having enough women. Now he appeared small, diminished, trying to puff himself up in front of his supervisor, his foreman, his manager. His boss. Boss? Really?

I nodded as if I had any clue what he was talking about, and fell back into the role of knowing advisor. “Well, you know, these things happen.” I waved at the stage, where Rocket was taking over from Stormy. “Why be angry or upset when there’s beautiful naked women?”

He laughed, and clapped me on the back, and stood up, and pulled out more money. “You’re all right!” he yelled out, and he rained down singles in front of me, and shouted for Rocket to “take care of this guy!” When Rocket came by, he tucked a one hundred dollar bill into her belt, for which she kissed him on the cheek and called him “sweetie”.

For the next half-hour or so, I couldn’t spend my own money even if I wanted to. They still wanted to show off, still wanted to be the big spenders, but realized I was too proud to accept it directly. They brought me drinks, and spread waves of singles and fives in front of me on the rail. And when I stopped Stormy to ask her for a private dance… they paid for it.

Remember that status battle, though? They had tried to buy my attention. If I had accepted, I would have confirmed my lower status to them. By refusing… I had retained higher status. And now, even though they were still trying to buy what I’d refused to sell them, they had accepted lower status to me. The harder they tried, the more it lowered their social value.

They grew bored with me, and wandered away from the stage for a while. I lost track of them. Finally, sweatervestguy came over, tossed more money down in front of me, thanked me for a great time, and made his goodbye.

They were gone. I don’t know if I’ll see them again. I still don’t know why they had so much money and were so willing to spend it. Expense account? Money laundering? Blackwater or just normal Republican corruption?

I’ll never know. But I will keep on talking to strangers.

Though I doubt it will often be as lucrative as that night.

I could not have said it better

Sometimes painful, uncomfortable experiences turn out to be freakin’ hilarious.

Like, for example, when Ken and I went to lunch today.

The next time something similar happens to me, I am not going to quietly try to let the manager know. No, I shall not be subtle. What, do I think I’m somehow protecting the image of a fast food restaurant?

No, I’m going to go all Jim Carrey. I’m going to stand up on the counter and shout and wave my arms:

There’s a nugget of poo in the pop machine!

New tagline

A friend just called me (or, rather, an email I sent him) “oddly uplifting”.

I like that. Thanks, friend.

I definitely feel both odd and uplifting at times. And they work well, together.

Radiohead, “In Rainbows” – first impressions

The following is my opinion after hearing the album one time through. I was listening on the bus, then in my co-worker’s cube, so it didn’t always have my full attention. I expect to fully immerse myself over the next week.

But, overall, I like it. How much? Let’s go through the emotional journey they’ve shared with us…

First two tracks, “15 Step” and “Bodysnatchers”, sound energetic but not frenetic. Almost… happy. I said almost – it’s still Radiohead. Then the albums energy level slows down a bit, and there’s a lot of resemblance to Thom Yorke’s solo album work – bare, naked almost (heh, Track 3 is called “Nude”, after all) with just Yorke’s voice and a few instruments. But around Track 5 (“All I Need” and “Faust Arp”) the boys start layering more music down, and by Track 7 (“Reckoner”) I think it almost reaches the heights they achieved on Amnesiac, as far as the electronica, non-pop-y sound the band has evolved into. I have to say that “Reckoner” is my favorite so far – it fit perfectly into my wistful, autumn morning mood as I walked under fluffy gray skies on the sidewalk of inner southeast Portland, on my way to my windowless basement job. Wait, I take that back. The song actually lifted me above the gray walk to my basement job. Good job, Radiohead!

Sadly I don’t have much of an opinion (yet!) about the final songs – they sounded OK as background music to my morning conversation, but they didn’t make me sit up and listen intently. That might be a failure of the songs, or it might be a testament to Ken’s story-telling ability, or some intersection of the two.

It’s not (yet!) my favorite Radiohead album – that honor will always go to “The Bends”. Second favorite? No… that’s for their last album, “Hail To The Thief”, perhaps because I’ve seen the band live during their tour for that album at Coachella.

After only one listen, I’d have to put “In Rainbows” in the middle of their work, along with “Kid A” and “Amnesiac”. Does that sound like a slam? It’s not, at least to me. Radiohead’s work is always head and shoulders above most other artists working today. Even a fair work by them is still awesome and worthwhile.

And I’m sure this release will grow on me.

In Rainbows

Yes, I downloaded Radiohead’s newest album, “In Rainbows”.

For some reason the album artwork didn’t come through. Anyone got the album cover floating around? I couldn’t find it with a quick Google, so I pasted in a place-holder (picture of the band).

I’ll just be listening to it over and over and over again for the next week or so.