“The Fall”

Since I was downtown yesterday, after I left work around 4:30 I decided to go see a movie. I’ve had a free pass via my massive patronage of Regal Cinemas and their points system, and I’ve wanted to see “The Fall” since I saw the trailer.

The story was beautiful and sad. At the turn of the century, Roy, a stunt man for early silent movies, finds himself in a hospital after an injury – or was it a suicide attempt? His girlfriend had left him for the leading man. While recuperating, he befriends a little immigrant girl who seems more than eager to tell stories and steal. Roy tells her an epic story of The Masked Bandit and his co-horts, The Indian, Luigi the Explosives Expert, The Slave, The Mystic, and Charles Darwin and his monkey, Wallace, on a quest to destroy the evil Governor Odious.

The movie makes great use of cinematography and colors. It looks amazing. And it’s all filmed in a shifting, dream-like way, where a camera pan reveals an entirely different scene as it shifts, and the story-world of the Masked Bandit meshes with the equally dream-like real life in the hospital. There’s an element of “The Wizard of Oz” to it, as people from the hospital end up in the story world.

I love this movie. It’s a keeper.

No charge

“Kung Fu Panda” is a cute movie. The CGI perfectly captured the expressiveness and body language of star Jack Black, the story is a great synopsis and homage to the basic tropes of chop-socky movies in general, and it helped seeing it with Kevin and his two young sons, in an old-time-y theater in my neighborhood, rather than a concrete movie warehouse out in the ‘burbs.

Loss of love

On the surface, “Annie Hall” (which I saw tonight as part of the Independent Film Revival group’s series on Directing Dysfunction) and another movie I saw this weekend, “Forgetting Sarah Marshall”, are about the same basic thing: love and breaking up.

They both feature men who are still at heart boys, and they are both comedies. Both films make use of improvisational dialogue, and both films were written by their male leads. And while I don’t know this for certain about the more recent film, I think they both have been created with a great deal of autobiography.

But what a difference 30 years have made. In 1977, Woody Allen’s take on male insecurity was a nervous energy. He was constantly touching and grabbing Diane Keaton. He paced, he stuttered, he mocked himself and others. Alvy Singer had an aggressive “come here/go away” dynamic with every woman in the movie; his male friendship, however, with Rob was more uni-directional – Rob was constantly trying to convince Alvy to do something against his nature; move to California and avoid death.

Jason Segel’s Peter, on the other hand, plays a more mellow and unaware insecurity. In fact, to my eyes (and this may say more about me than Peter) doesn’t seem insecure at all in the beginning of the movie. It’s not until later, when he’s in the depths of his depression and he encounters the sympathetic, welcoming, and yet tough force of Mila Kunis’ Rachel that I began to see how uncertain he was. I will always hear Rachel’s encouraging shout of “Whoo! Dracula musical! Yeah!” into an otherwise silent bar whenever I’m afraid of taking a step through the next metaphorical door I encounter. And look how it turned out for Peter.

As far as the comedy goes, the jokes in “Annie Hall” are vaudevillian and fall mostly flat to my ears now. “Forgetting Sarah Marshall” has some rather broad and rather coarse humor, too, but it’s also capable of much more subtle laughs.

I don’t want to turn this into a thesis, though. Just seeing these two movies back to back gave me an opportunity to compare. In the end, I related to the more recent movie far more.

I can’t believe “Annie Hall” won an Oscar. Over “Star Wars”? C’mon.

I’m sad

I’m very sad that a movie like “The Visitor”, which is a wonderful and melancholy movie about immigration and deportation, could even be made. It’s one thing thinking about repressive countries in far-off lands like Syria, or Saudi Arabia, or North Korea, or many others I barely even know about… but to think that a story could be told about small simple people wanting to play their music and live their lives being flattened by a monolithic government just for the crime of jumping a turnstile in the subway… to think that such a story could be told and set in the United States of America staggers me.

I know the movie is fiction, and I know that the filmmakers had a viewpoint and an opinion to express. But I have to admit, uncomfortably, that the story is at least plausible. Probably similar stories play out daily.

The intersection of the hope expressed by an image of the Statue of Liberty and Ellis Island, and the anger and fear expressed by images of the World Trade Center… at the center is a fear of brown-skinned people, people who “don’t even have an American name”.

I refuse to fear. In its place I feel sad, however.

Wake up, sleeping democracy. The world needs hope again.

At least WE liked it

As Tracy and I left the theater after thoroughly enjoying “Forgetting Sarah Marshall”, I looked around at the predominantly older, retirement age crowd that still remained and were leaving (we stayed to the very end of the credits) and asked her, “Did it seem like we were the only ones laughing?”

Part of my wonderment was that we had watched the movie in Tigard, which for those of you reading me from far away, is a predmoninantly-white suburb of Portland. Ninety percent of the movies I see, I see in theaters downtown, with a younger (though, this being Portland, still predominantly, but not entirely, white) audience and I expect a more rambunctious response to a movie, especially a comedy like “Forgetting Sarah Marshall”.

If I had to choose between Kristen Bell and Mila Kunis, I think my brain asplode.

“She’s my Rushmore, Max.”

Another Monday night, another revival from the Independent Film Revival folk. Tonight was the first entry in the “Directing Dysfunction” series – “Rushmore” (1998).

I’ve only seen this one once before, several years ago, on cable, and I wasn’t paying much attention at the time. To see it tonight with a motivated and appreciative crowd is a treat. Wes Anderson may be an acquired taste for some, but I will always enjoy the mannered and stylized dialogue, the exceptionally art-directed cinematography, and the soundtrack of 1970s folk songs. Bravo, Wes Anderson. Bravo.

Old Jedis never die, they just fade away

Is it wrong to talk about movies instead of soldiers on Memorial Day? If so, I apologize in advance.

My experience growing up, and continuing to this day, is that Memorial Day signals the start of the summer blockbuster movie season. It’s not really summer to me without a big-budget sci-fi extravaganza in the theaters, a movie to wait in line to see, a movie with lots of hype and merchandising.

It was only when I got older when I realized how disrespectful that was.

My father served in both the Navy and the Coast Guard. He rarely talked about that service; he viewed it, I think, as just a means to get away from a rough situation at home, and a way for a poor kid from Jersey to get an education. He learned a trade, electricianisming, and got to see a little bit of the world, including atomic blasts in the South Pacific, and ended up on the West Coast to meet the woman who would be his wife for over 40 years, and he put all that military stuff behind him.

I remember him telling me, when I was a teenager, that military service wasn’t necessarily the best route for me. I had a few friends who joined one or the other armed services; Troy, the guy who married Karen after high school, became an Army Scout. Charlie, a friend I met though playing Dungeons & Dragons, went into Naval Intelligence. Few of my other peers even thought military life was an option.

Am I over-generalizing? Maybe. I’m just now realizing just how much of pacifists my group was. I remember my Great Aunt Carmen complaining about how popular “Star Wars” was by saying, “all these kids are against war… and then they flock to see a war movie!” I was offended. Not by her generalization of peace-loving hippies, but by suggesting that “Star Wars” was comparable to “Force 10 From Navarone” or “The Big Red One”. I was blind. I mean, I even overlooked the very word, war, was in the title. But it was a different kind of war, I thought. Underdog rebels against the super-powered weapons and billions of stormtroopers, sure, but victory came down to individuals. Luke and The Force putting that proton torpedo in exactly the right spot, while Han Solo caused Darth Vader to go spinning off into space.

And before that could happen, Obi-Wan had to lay down his life to let them all get away. Obi-Wan was the soldier whose death affected me first. A fictional warrior who didn’t really die, not with The Force on his side.

Memorial Day weekend after Memorial Day weekend, year after year, summer wasn’t actually here until I’d gone to see a summer blockbuster. 25 May 1977 – “Star Wars” was released. 25 May 1979 – “Alien” was released. 21 May 1980, duh!“The Empire Strikes Back”. “Raiders of the Lost Ark” in 1981, “Star Trek II: The Wrath of Khan” in 1982, “Return of the Jedi” in 1983…

But the older I got, the more the reality of war impinged on my life. I came to know men and women who served in combat, notably during the First Gulf War. I slowly learned just why people were afraid of Vietnam Vets, and why Vietnam Vets were right to feel abandoned. My father felt more and more comfortable with his past service. I had my eyes opened by learning that members of my own family had had horrific war experiences long before I’d been born. And one of my closest friends and his wife is a veteran of military service.

And, of course, President George W. Bush lied us into occupation of a foreign country who posed no threat to us, leading to untold numbers of dead and wounded.

I know that the dead are not coming back; they’re dead and gone forever. They won’t float, transparent and suffused with a blue glow, to impart words of wisdom to the living, as Yoda and old Ben Kenobi did to Luke. They won’t be resurrected by the powers of the Genesis Device, to live again, as did Mr. Spock.

I hope that they died doing what they thought was right, and knowing that there are people, many people, out there who feel humbled and honored by their service, by the risks that they take and the challenges they overcome.

Happy Memorial Day.

Lost in space

In May 1981, I was already a huge nerd for movies. Specifically movies from George Lucas and Steven Spielberg. Lucas had come to my attention due to his writing and directing a little popcorn flick called “Star Wars” (which, not so coincidentally, opened 31 years ago today), and had followed it up by writing and producing the much-darker and almost universally acknowledged superior “Star Wars Episode V: The Empire Strikes Back”.

“Star Wars” was for me, like many men of my generation, a turning point. But I didn’t get to see the movie until late in the summer, as I recall. It opened while I was still in school, sixth grade at North Oak Grove Elementary School. The following fall, I would be going to Oak Grove Junior High, so there was already a sense of change in the air for me; new school, new routine. But my friends all got to see this movie long before me. After Memorial Day weekend, they returned to the classroom and playground with tales of Jedi, and Sith Lords, and Millennium Falcons, and TIE Fighters, and Artoo and Threepio. I couldn’t make heads or tails of what they were talking about, but it all sounded like the most fascinating thing in the world – even more fascinating to me than Julie Phillips, the brunette muse that had attracted my shy attention but whom I never actually spoke to.

When I would ask about going to see this movie, my dad would refuse outright. The movie was so popular that there were lines at the theaters. Lines! Can you imagine! “No way in hell am I going to stand in line for a fucking movie!” my dad declared. This nearly broke my heart. However, through my Science Fiction Book Club membership, I sent away for a copy of the novelization for the movie, and devoured it in a single sitting. I would tell my parents and sister all about how this was just one chapter in the Adventures of Luke Skywalker, and explain that the Old Republic was legendary, but how it had fallen to the predation of Palpatine, who declared himself Emperor. It was as much, if not more, nonsense to them as my friends’ explanations had be to me. OK, maybe far more. Now I knew the story but I still ached to see the actual movie.

Then, after school had let out for summer, came word that “Star Wars” was playing at a tiny little theater in tiny little Estacada, about 25 miles south east along the Clackamas River. There were no lines there. There was also no Dolby Sound and no 70mm film print in all its widescreen glory, but I was 12. I had few options unless I was willing to compromise. Mom, Dad, my sister, myself, and my Grandma Hayner all drove out one summer afternoon, and for the first and last time in my life I sat in that theater and watched what had only been words on a page become real. Even on the smaller screen, even with “normal” sound, even surrounded by the dank smell of summer sweat and popcorn… “Star Wars” took me away. All other viewings of that movie don’t compare to that one instance. And believe me, I have seen that movie many many times since then.

Spielberg had directed “Jaws” in 1975, which I have never seen to this day in its entirety but was a source of conversation to my grade-school buddies, and in 1977, “Close Encounters of the Third Kind”. It was a much gentler alien invasion flick. The first time I saw CE3K, I and my nephew had to convince my dad to drive clear across town to the Eastgate theater, which he did, grumbling all the way, and taking back streets to avoid the horrible traffic of SE 82nd Ave. We arrived late, after the movie had already started, a huge source of annoyance to me at the time. I wouldn’t argue with my dad, though; well, maybe a sarcastic remark in passing. Kevin and I had to sit near the back, and right in front of a speaker tower for the then-new Dolby sound system. If you remember the climactic chase at the end of the movie, that particular speaker was solely responsible for the sounds of the helicopters which chased Roy around Devil’s Tower. Helicopters are loud.

So much so was I captured by the vision of Lucas’ galaxy far, far away that it became the central obsession in my life, neatly supplanting Star Trek. So much so that when the sequel, “The Empire Strikes Back” came out in 1980, that I and my friends read the novelization, read the comic books, bought (and stole – I’m not proud of that now but I’m sure the statute of limitations is long since up by now) the action figures, listened to the soundtrack and “The Story of” LPs… everything. Everything. I was a sophomore at Milwaukie High School now. My mom drove me and Kevin out to the Westgate theater for opening night. And, yes, we stood in line. We were almost turned away, but when the theater employees came out to say there were three seats left, but not all together, we were ushered inside. I had to sit in the very front row, waaaaay off to one side, but it didn’t matter. I knew that this would be one viewing out of many. And for the rest of the summer, when Terry and I had nothing else to do, we would take the long bus ride from Milwaukie to Beaverton to see “Empire”.

Spielberg was also the director of the amusing but under-rated “1941”, which made me and my high school budies, Terry, Andy, and Rodney, laugh at the time, but which I no longer remember many details of. I remember John Belushi in a WWII Airman’s uniform, and a ferris wheel breaking free and rolling into the Pacific after being attacked by Japanese Zeroes. And that’s about it. We liked it because it was from Spielberg.

So in the summer of 1981, I was now a junior in high school. I had more interest in girls but still lacked any sort of courage. I remember most of high school as hanging out with my buddies, playing Dungeons and Dragons, talking about “Star Wars”, and an unending series of crushes on cute girls. I was smart enough that my classes posed no challenge to me – well, except for the obstacle of actually doing my classwork. I was distracted and often late in my work. Didn’t they understand? There was a galaxy at war, people! Far more important matters were at hand. I fantasized about the Millennium Falcon landing on the high school football field and taking me away, and Han Solo reluctantly allowing me to pilot the ship, and being amazed at how well I flew for a kid.

And as summer approached that year, so did news of the first-ever collaboration between Lucas and Spielberg. It starred Han Solo – I mean, Harrison Ford. I had been burned before by learning early that Darth Vader was Luke’s father, so this time around I avoided reading much about the movie. I knew it was a throwback to the pulp stories of the 1930s… and that’s about it.

The movie opened on 12 June 1981, which I remember being the last Friday of the school year. I went by myself to the Southgate theater, a theater that has been not just closed, but completely eradicated from existence since those days. The building was a cinder-block warehouse, with two large theaters and two smaller ones. “Raiders” was playing in the largest theater, and for some reason I remember the crowd for that showing being rather small. There were empty seats. And as I watched and enjoyed the movie, I kept getting distracted by a couple sitting ahead of me.

It was Karen Hatton and her boyfriend, Trey.

Karen was my then-current crush. Snarky before snarky was a word, funny, imaginative, blonde-ish, thin. She was just as much into “Star Wars” as I was, which made her that much cooler. Oh, and she had gone out with my best friend, Terry Mantia, waaaaaay back in junior high, and they remained friends, so Karen was a part of my circle of friends. And so was Amy Dinkler, Karen’s best friend. The four of us shared a few classes, including Drama class, and we would talk about all the important things in the world, like whether Princess Leia would choose Luke or Han (little did we know), and whether the Emperor could afford decent marksmanship training for stormtroopers, and if there was anything a lightsaber could not cut.

I crushed hard on Karen. I didn’t notice Amy until senior year, when I discovered that she had been crushing on me for a year or more.

Sitting in the Southgate theater, my attention was split between the fantastic adventure on the screen and the practical drama in front of me. Trey and Karen were making out in the dark. After the movie, my head filled with images of giant rolling boulders and melting faces, my sights were filled with Karen and Trey holding hands and walking out into the parking lot and into his car. Trey, you see, was a senior. An older man.

The following week, we still had a few days of school left, but mentally everyone had checked out. The only reason we came back, I think, was to pick up our yearbooks and get them signed. As I wandered around the hallways with Terry, his gray fedora perched on his head, I alternated between telling him about “Raiders” and complaining about Karen. His advice was to stay away from Karen. “She’s got issues.”

Don’t we all?

Little-known Fact

Indiana Jones was the reason I started wearing hats. My first girlfriend, Amy, gave me an Indy hat as a Christmas gift.

And, yes, I very much enjoyed the latest installment. It’s note-perfect.

I didn’t know that

I really need to do a full-on write up of it, but before I dash downtown for more exciting jury duty I wanted to note that Kevin and I saw “OSS 117: Cairo, Nest of Spies” last night.

The lead, Jean Dujardin’s facial expressions and body language were note-perfect in capturing the camp of a 1960s spy movie. Kevin and I could not stop mimicking his serious look and winning smile for hours after the movie. I may end up making those same expressions today, which will surely confuse my fellow jurors.