“The Wrestler” (2009)

Yeah, yeah, Mickey Rourke turned in an amazing nuanced performance, subdued and beaten in the real world, powerful and assured in the ring, but the scenes in The Wrestler that I found to be most realistic were in the strip club.

Man, some of those awkward, are-they-friends-or-are-they-working conversations between (naked nearly all the time) Marissa Tomei and Mickey Rourke could have been lifted straight from my life circa 1992-’98.

When I pointed this out, Kevin said after the movie, “It’s apparently not just you, after all.”

(I should write a full review but this should suffice for now.)

Rags-to-riches

Yesterday I scratched another movie off my Oscar best picture list.

I saw “Slumdog Millionaire” in a packed matinee theater.

Here’s what I knew going in: it’s a rags-to-riches story about a poor kid who gets on a game show, and it might be a musical. Oh, and the leading lady is stunningly beautiful.

Here’s what I learned while watching it: it’s set in India, specifically in Mumbai. It is not a musical. It’s directed by Danny Boyle, an Irish working-class guy whose previous movies include an awesome zombie movie, a sci-fi flop, and a movie about drug addicts. And the structure of the movie intrigued me as a writer.

Jamal Malik (Dev Patel) is being tortured because he’s suspected of cheating in India’s version of the game show “Who Wants To Be A Millionaire?” Seems the local corrupt constabulary don’t believe that a kid who grew up in the slums could possibly know all the various trivia that lets him work his way up the ladder until he’s on the verge of winning twenty million rupees (about US$407,000 – not a lot to you and me, but I’d imagine it’s a life-changing amount of money in India).

Jamal has had no formal education, he’s scammed his way around India with his cruel but loyal older brother, Salim, and his only goal in life is to find, and rescue, Latika, the young girl who joined the two brothers as the third Musketeer to their Athos and Porthos but was kept by a Mumbaikar Fagin and forced into a life of crime.

But as he tells how he knows the answer to each trivia question, the movie flashes back to show the specific circumstances that led to him gaining that knowledge. The coincidences add up as the movie fills in his squalid life until he’s got a semi-respectable job as a “chai wallah” (tea server) in a customer call center, but I never lost my willingness to suspend belief. I did sometimes recall Cliff Claven’s dream board in Jeopardy, but Boyle and his screenwriter Simon Beaufoy (who adapted the novel “Q&A” by Vikas Swarup) never play it for laughs and each incident seems organic and natural. It’s only on reflection after the fact that I began to question it all, and by then the charm of the story had overcome any misgivings I had.

In fact, now that I think about it, the story parallels the rise of an adherent of Hinduism through the ranks of the four Puruṣārthas, or goals of a human existence. But I don’t know much about that beyond what’s in Wikipedia. Someone more scholarly than I is invited to analyze the story from that perspective.

Me? I just enjoyed the hell out of that movie.

“Let The Right One In”

Since it was my first visit to Living Room Theaters, I’m tempted to review the theater, rather than the movie. Large, comfy seats, foot rests, an upscale bar/dining room attached, in-theater service, premium sound and crisp all-digital projection, and only a small premium over the “regular” theaters (my matinée was $9)… nice. Only downside was a distracting reflection on the screen, but it wasn’t enough to bug the management about.

Still, as my first movie of 2009, the film itself deserves some mention. It’s about a lonely kid who meets a strange kid in the woods one night. The strange one doesn’t mind the cold, is smart enough to solve a Rubik’s cube at first sight, and one night, attacks and kills a grown man, drinking his blood.

Yeah, she’s a vampire.

Yes, I said “she”. This ain’t “Twilight”. It’s “Låt den rätte komma in” (“Let The Right One In”), a Swedish import. It’s creepy and sweet and sometimes hilarious (apparently cats, in Sweden, hate vampires to an extent I didn’t think possible)… but mostly creepy.

Eli, the vampire girl, played by Lina Leandersson, has that other-worldly affect and world-weariness that seems far beyond her years. Truthfully, so does Oskar (Kåre Hedebrant), due to his preternatural, almost albino, blondeness.

Oskar doesn’t seem to know what he’s getting in to by befriending, and more, a vampire. Or care, which sends a chill down my spine. Hey, she convinces him to fight back against the bully who torments him at school. It all seems to end up all right – or does it? The fate of Eli’s dad at the end of the second act hints at a darker ending in store for Oskar.

Movies of 2008

The following are all the movies I saw in the theater in 2008. It includes some second-run flicks because, for a while, I was attending the Independent Film Revival group’s Monday movies.

I didn’t think to keep track of any movies I saw on DVD or online or at friend’s houses. Maybe I’ll do that next year.

Each movie is linked to it’s IMDB listing, and after each movie is a link to my post about it, if available; the link indicates how many stars I give it, on the standard 5 star scale.

This is 50 movies, and two of them I saw more than once (“Iron Man” three times and “Quantum of Solace” twice). That makes 53 trips to the theater, or just over one per week. Man, I really love movies.

Now I’m going to hit “publish post” before I re-think my star ratings. Feel free to disagree with me. By the time anyone comments, I’ll probably have changed my mind several times.

“The Spirit”

So I did it. I gave in and saw Frank Miller’s “The Spirit”.

The dialogue was atrocious, awkward and did little to set up, or even explain, let alone advance, the plot.

The visual style was overdone.

Samuel L. Jackson’s Octopus was horrible.

Gabriel Macht’s The Spirit/Denny Colt was boring.

Not nearly enough of Scarlett Johanssen’s cleavage. She does give very arch line readings, though.

The other women were OK, here and there, hit and miss. But the unexplained lust the women had for The Spirit just came off as bad as porn movie writing.

However! Eva Mendes’ ass was, all by herself, worth the price of admission and justified the entire movie. Seriously. Magnificent. Whether it was clothed or (for a few glorious seconds) naked, seriously, that woman’s hindquarters are worthy of being considered high art. Words fail. No, really. Just… whoa.

I’m responding on a primitive, pre-language level here (which doesn’t work so well with blogging, but, evs). Eva…

Is this wrong?

The reviews of Frank Miller’s “The Spirt” keep coming in.

And they keep on piling on the negatives. In just one weekend, it’s achieved a 16% at Rotten Tomatoes (as of this posting – the score may go down even lower once people get back to work today and surf).

But when I read things like this sentence (from The Onion’s A.V. Club review):

“As a babe-delivery system, The Spirit is a rousing success.”

…I realize that that, alone, could be enough to put my butt in a seat, even when the very next sentence is:

“In every other sense, it’s a pronounced failure.”

Maybe this helps to explain why I’ve seen so many damned movies.

Movie fanatic

Hat tip to Dale at Faith in Honest Doubt for finding the No Life Movie Quiz. I notice, however, that Dale only posted his score (87) and not the actual list of movies he’s seen. He “beat” the number that apparently defines someone as having no life by two (said number having been set by the original author of the list). Dale does regret having seen some of those, it must be said.

And as sympathetic as I am to Dale’s pangs of remorse, since I have seen 99 of the movies on that list, and since I’m a self-described movie fanatic, I take my score more as a badge of honor. I’m of the school that can find value in nearly any movie. Sure, some of the flicks on the following list could have been better (in some cases, much, much better), someone, somewhere, was proud of it and in nearly all cases, many people worked hard to produce and distribute it.

Of course, not all of the movies on my “seen” list were ones I actually paid money to see. That, however, does not color my opinion after I’ve seen it; it only indicates my feelings of its worth prior to viewing.

As a side note, I could find no rhyme or reason to the grouping of movies on the list. What do “Blazing Saddles”, “The Never-ending Story”, and “Universal Soldier” have in common, for instance? And each section is variable in length – what’s that all about? I’ve left the original formatting (though I did clean up an error that seems to have caused all the x’s in the list to be replaced with a space).

As a further side note, this list must be a few years old. Several third sequels, like Spider-Man 3, were missing. My score would likely be higher if they were included. I’m a sucker for some, not all, franchises.

And my final side note: In the cases where I’ve seen several versions, I’m only counting them once. If you want to do the math on that, feel free, but I’m already way over the arbitrary line. It won’t matter to me how much further into the pucker-brush I go sailing…

My list follows:

(x) Rocky Horror Picture Show
(x) Grease
(x) Pirates of the Caribbean
(x) Pirates of the Caribbean 2: Dead Man’s Chest
( ) Boondock Saints
(x) Fight Club
(x) Starsky and Hutch
(x) Neverending Story
(x) Blazing Saddles
( ) Universal Soldier
( ) Lemony Snicket: A Series Of Unfortunate Events
( ) Along Came Polly
( ) Joe Dirt
(x) KING KONG all three versions
Total so far: 9

( ) A Cinderella Story
( ) The Terminal
( ) The Lizzie McGuire Movie
( ) Passport to Paris
( ) Dumb & Dumber
( ) Dumber & Dumberer
( ) Final Destination
( ) Final Destination 2
( ) Final Destination 3
(x) Halloween
( ) The Ring
( ) The Ring 2
( ) Surviving Christmas
(x) Flubber Orignial version only
Total so far: 11

( ) Harold & Kumar Go To White Castle
( ) Practical Magic
( ) Chicago
( ) Ghost Ship
( ) From Hell
(x) Hellboy
( ) Secret Window
( ) I Am Sam
( ) The Whole Nine Yards
( ) The Whole Ten Yards
Total so far: 12

( ) The Day After Tomorrow
( ) Child’s Play
( ) Seed of Chucky
( ) Bride of Chucky
( ) Ten Things I Hate About You
( ) Just Married
( ) Gothika
(x) Nightmare on Elm Street
(x) Sixteen Candles
( ) Remember the Titans
( ) Coach Carter
(x) The Grudge
( ) The Grudge 2
(x) The Mask
( ) Son Of The Mask
Total so far: 16

(x) Bad Boys
( ) Bad Boys 2
( ) Joy Ride
( ) Lucky Number Sleven
(x) Ocean’s Eleven
(x) Ocean’s Twelve
(x) Bourne Identity
(x) Bourne Supremacy
( ) Lone Star
(x) Bedazzled both versions
(x) Predator I
(x) Predator II
( ) The Fog
( ) Ice Age
( ) Ice Age 2: The Meltdown
( ) Curious George
Total so far: 24

(x) Independence Day
(x) Cujo
( ) A Bronx Tale
( ) Darkness Falls
(x) Christine
(x) ET
(x) Children of the Corn
( ) My Bosses Daughter
( ) Maid in Manhattan
(x) War of the Worlds (both versions)
(x) Rush Hour
( ) Rush Hour 2
Total so far: 31

( ) Best Bet
( ) How to Lose a Guy in 10 Days
( ) She’s All That
( ) Calendar Girls
( ) Sideways
(x) Mars Attacks
( ) Event Horizon
(x) Ever After
(x) Wizard of Oz
(x) Forrest Gump
(x) Big Trouble in Little China
(x) The Terminator
(x) The Terminator 2
( ) The Terminator 3
Total so far: 38

(x) X-Men
(x) x2
(x) x-3
(x) Spider-Man
(x) Spider-Man 2
( ) Sky High
( ) Jeepers Creepers
( ) Jeepers Creepers 2
(x) Catch Me If You Can
( ) The Little Mermaid
( ) Freaky Friday
( ) Reign of Fire
( ) The Skulls
(x) Cruel Intentions
( ) Cruel Intentions 2
( ) The Hot Chick
(x) Shrek
(x) Shrek 2
Total so far: 47

( ) Swimfan
(x) Miracle on 34th street
( ) Old School
( ) The Notebook
( ) K-Pax
( ) Kippendorf’s Tribe
( ) A Walk to Remember
( ) Ice Castles
( ) Boogeyman
(x) The 40-year-old-virgin
Total so far: 49

(x) Lord of the Rings Fellowship of the Ring
(x) Lord of the Rings The Two Towers
(x) Lord of the Rings Return Of the King
(x) Raiders of the Lost Ark
(x) Indiana Jones and the Temple of Doom
(x) Indiana Jones and the Last Crusade
Total so far: 55

( ) Baseketball
( ) Hostel
( ) Waiting for Guffman
( ) House of 1000 Corpses
( ) Devils Rejects
(x) Elf
(x) Highlander
( ) Mothman Prophecies
(x) American History
( ) Three
Total so Far: 58

( ) The Jacket
( ) Kung Fu Hustle
( ) Shaolin Soccer
( ) Night Watch
( ) Monsters Inc.
( ) Titanic
(x) Monty Python and the Holy Grail
(x) Shaun Of the Dead
( ) Willard
Total so far: 60

( ) High Tension
( ) Club Dread
( ) Hulk
(x) Dawn Of the Dead
(x) Hook
( ) Chronicle Of Narnia The Lion the Witch and the Wardrobe
(x) 28 days later
( ) Orgazmo
( ) Phantasm
(x) Waterworld
Total so far: 64

(x) Kill Bill vol 1
(x) Kill Bill vol 2
( ) Mortal Kombat
( ) Wolf Creek
( ) Kingdom of Heaven
( ) the Hills Have Eyes
( ) I Spit on Your Grave aka the Day of the Woman
( ) The Last House on the Left
(x) Re-Animator
(x) Army of Darkness
Total so far: 68

(x) Star Wars Ep. I The Phantom Menace
(x) Star Wars Ep. II Attack of the Clones
(x) Star Wars Ep. III Revenge of the Sith
(x) Star Wars Ep. IV A New Hope
(x) Star Wars Ep. V The Empire Strikes Back
(x) Star Wars Ep. VI Return of the Jedi
(x) Ewoks Caravan Of Courage
(x) Ewoks The Battle For Endor
Total so far: 76

(x) The Matrix
(x) The Matrix Reloaded
(x) The Matrix Revolutions
(x) Animatrix
(x) Evil Dead
(x) Evil Dead 2
(x) Team America: World Police
( ) Red Dragon
( ) Silence of the Lambs
( ) Hannibal
Total so far: 83

( ) Battle Royale
( ) Battle Royale 2
(x) Brazil
(x) Contact
( ) Cube
(x) Dr. Strangelove
( ) Enlightenment Guaranteed
( ) Four Rooms
(x) Memento
(x) Pi
(x) Requiem for a Dream
(x) Pulp Fiction
(x) Reservoir Dogs
( ) Run Lola Run
( ) Russian Ark
(x) Serenity
(x) Sin City
(x) Snatch
( ) Spider
(x) The Sixth Sense
( ) The Village
(x) Waking Life
( ) Zatoichi
( ) Ikiru
(x) The Seven Samurai
(x) Brick
(x) Akira
Grand Total: 99

“Why would I want to talk to David Frost?”

After Hitler, arguably the most hated political figure from history is President Richard Milhous Nixon.

Certainly the most polarizing figure from history, at least.

Nixon’s Presidential legacy is nothing but scandal, crime and fraud. Oh, sure, there are people who think Nixon’s foreign policy was top-notch, but the people who argue that point are attempting to counter the whole scandal, crime and fraud bit. We know what’s important.

In 1974, when Nixon resigned the office of the Presidency, I was 9 years old. I had no idea what these old men were doing on my TV as I ate a breakfast of sugared cereals, fortified with 7 essential vitamins and minerals and bathed in milk. Blah, blah, blah, talking heads, so boring. I wanted my Spider-Man and my Bugs Bunny!

Some people, many people, in fact, still think that politics is boring, nothing but a bunch of blathering old bores, taking up space on the people’s high-def entertainment centers. People may not want Saturday morning cartoons anymore, but they certainly don’t understand or, frankly, care, about what rich old people are talking about in studios in the District of Columbia or New York City. People would rather watch people eat live bugs in a competition for the prize, or find out what Lindsey Lohan wore to the Oscars, or whatever.

I think, in large part, that this sad state of affairs is a result of the decisions of the people who sit atop the entertainment corporations. There’s been a reduction of the momentous decisions and actions that our leaders take, a reduction to the level of… gossip. Entertainment. And that reduces people like President George W. Bush from what he is (a radical who has challenged and distorted almost every aspect of the Constitution upon which our country has been founded, and has abused his office to sow death across the globe and reap huge profits to himself and his cohorts) to the same level as… a movie producer, a celebrity, a “mogul”. Opinions differ, they say, and then they quote one from column A (“I don’t like him!”) and one from column B (“I love him!”).

This is a simplification, of course, and just one man’s opinion.

But having just watched “Frost/Nixon”, I can tell you, that there was a time, way back in the ancient times known as 1976, when the world of the disgraced leader Nixon intersected with the world of the glitzy celebrity of David Frost.

And, apparently, the two worlds reversed their importance.

That’s the take I get from watching this movie. David Frost was a flibbertigibbet, a nonsuch, a fluffy emcee, a light-weight. Frost was not a polarizing figure; if you cared about him at all, you either enjoyed his schtick, or you envied him his glamorous lifestyle.

Frank Langella’s Nixon, trying to complete the cover-up of his crimes, tries to cloak himself in the cotton-candy of David Frost. And watching Michael Sheen’s Frost slowly wake up to the fact that he’s being played is compelling.

Most of the movie, once the characters and background are set, is nothing but watching two men talk to each other, while others root from the sidelines. And as boring as that may sound to you, I am here to tell you that it was riveting.

And maybe, seeing the two worlds intersect, will help you untangle them again. Because I think it’s important.

It’s difficult for me to set aside the implications, even today, of Nixon’s actions. Luckily the movie provides me a surrogate in the ever-likeable Sam Rockwell’s character, playing journalist James Reston, Jr. It’s Reston’s real-life work that created the background for this movie. And I recognized my anger at President Bush’s actions today in Rockwell’s rants about trying to get a confession from, and conviction of, Nixon in the film.

But setting aside the politics, the characters and their interactions, as played by Langella and Sheen, stands by itself and makes a extraordinary story.

Chin

Oh, yeah, before I completely forget, I got out of the house long enough yesterday to see “My Name Is Bruce”, a movie about, and directed by, Bruce Campbell, the B-Movie actor famous for a handful of horror/comedy movies back in the 80s and 90s… and famous for almost nothing else since then.

It was amusing. But probably not worth even a matinee price. Even if it was filmed in Oregon.

“Milk”

In my quest to see all the Oscar-nominated Best Films of 2008 prior to the nominations being announced next year, using only my well-tuned sense of what constitutes an Oscar-nominee, I went to see “Milk” yesterday, Gus van Sant’s biopic of San Francisco City Supervisor Harvey Milk, a gay activist who was (spoiler alert!) shot and killed by fellow City Supervisor Dan White.

Sean Penn did what he always does – completely disappear into the role and make him a real person, with all our flawed perceptions and amazing insights. More than that, though, Penn’s performance shows a character that always pushed forward, and maintained a positive outlook, no matter what obstacles stood in his way.

The movie, seen through a wanna-be activist’s eyes (mine), also shows how movements were built back in the day. Milk actually tried to get the political support of Dan White – of course, not knowing what White would do in the future, which we now know – by trying to find some common ground. Of course, White’s idea of common ground appeared to be either too radical for Milk to support (something about psychiatric tests for children? I was never really sure), or that was another example of Milk’s flaw, that he never took the time to look into the issue to find some way he could support White’s side. Milk wanted his gay rights proposal to pass the city council with a unanimous vote as a symbolic measure, but when he failed to get White’s support he pressed ahead anyway, then, flush from his victory, approached White again. This time, White had a politically unreasonable request – he wanted Milk to introduce a pay raise for City Supervisors, which Milk didn’t even consider supporting.

Milk fought against a California state initiative, Proposition 6, which would have banned not only gays from teaching in public schools, but would have also gone further to ban anyone who supported gays. The state legislator who lead the drive for that measure is shown in the movie explaining that there were tests of some sort built into the bill. Milk has a meeting with the gay rights leaders in California at that time, and Milk denounces the pamphlets that they are distributing to fight against the measure: the text does not mention the word “gay”, and does not put a human face on the problem, instead taking a “high road” and framing the whole debate in terms of human rights.

Milk urges his friends and followers to come out. His thought was that if more people were aware that someone they knew was gay, they would vote against the bill.

The movie suggests that the reason Prop. 6 lost was because of the courageous approach taken by Harvey Milk and the opposition. Because of the lead time for making movies, the writer and filmmakers had no idea, I’m sure, that the fight in the film would mirror the fight this year in regards to Prop. 8. Sadly, mirror is the right word – thousands of families were torn apart, a right enshrined in the California Constitution taken away because of those who mis-read and mis-understand the stories told by long-dead men, when Prop. 8 passed this year.

As I said, I watched the movie while wearing my activist hat. The struggle for gay rights, which is still in dispute thanks to the misreading of a Bronze Age text by its present-day followers, reminds me of the similarities to the atheist community. We atheists have only begun to collect in groups and to announce our presence to the world at large. On a national level, there is only one elected representative who calls himself a humanist, Rep. Pete Stark (D-CA13), and even Mr. Stark didn’t announce he was a humanist until after he’d been elected. I have no particular insight into Mr. Stark’s personal beliefs, and I mean no disrespect, but to my ears, “humanist” sounds like a cop-out for someone who can’t go the whole distance and call themselves an atheist. And if that is the case, then the reason it’s not a tenable label for an elected official is because of the vast influence that the followers of gods have in our supposedly modern society.

Earlier this year, the Secular Coalition tried to find as many atheist elected officials as they could. They released a survey. From the US President, to Congress, down to the state and local levels, there are over a million men and women elected to office.

The Secular Coalition found five; The afore-mentioned Rep. Stark; Nebraska State Senator Ernie Chambers (I am guessing, since Sen. Chambers was first elected in 1971 and is Nebraska’s longest-serving legislator, that he did not come out as an atheist in his primary campaign); and three at the local level, one in Berkeley, California, one in Franklin, Maine, and one from Arlington, Massachusetts.

Harvey Milk’s idea of making the fight personal by putting a face on what is otherwise an abstract idea is a good one. And the goal of getting more atheists elected into office is also a great route to take. The atheist community is only now beginning to organize and speak as one group. It’s going to be a long fight, but studies show that, as education rises, so does non-belief. Education doesn’t just mean advanced degrees; it can also mean just talking to your neighbor or friend.

Our elected officials are, by and large, experienced and well-educated, in most cases upper middle class or better. And yet there are only five out atheists among them? Far more, I think, are in the closet, put there by fear of oppression by the outspoken religious. And yet, we all share something. Atheists are, by and large, the ones who understand that separating church and state protects the church, too. Atheists are natural allies of people with minority religious traditions.

My youngest nephew is 17, and, like me and his father, an atheist. The night Barack Obama was elected by the people to be the President of the United States of America, its first black president, I asked my nephew if we would live to see an atheist president.

He thought a moment, then said, “I probably will,” then smiled and continued, “but not you, Uncle Brian.”

It’d be nice to prove him wrong – but I suspect he’s right.