CDs purchased

Today being payday, I finally bought some of the CDs I’ve been craving:

  • Beck, “Guero” (a solid Beck at his Beck-iest)
  • The Decemberists, “Picaresque” (rockin’!)
  • Louis XIV, “The Best Little Secrets Are Kept” (exactly what I expected!)

As per usual, there were several others that I wanted but when I got to the music store I completely forgot what they were. I should keep a list or something.

Stuck in my head

Curse you, KEXP! Curse you, morning DJ John in the Morning!

John (in the Morning) just played The Go Go’s this morning and now I’m gonna have “Vacation” (and Belinda Carlisle in a swimsuit) running through my head all day!

…and as if that’s not enough, clicking around on The Go Go’s official site, I stumbled across the all-male Go Go’s tribute band We Got The Meat, headquartered (where else?) in my hometown Portlandia, Oregonia.

Musical wisdom

More wisdom from Harvey Danger:

drive across the country, tell your story walking. no one’s keeping you captive in the town that let you down (so sorry). blame it on the television, blame it on the company; don’t blame it on the fundamental fact that no one owes you something. “i’ve come about my share, i only want what’s fair. anyone who knows me knows that i’m not greedy. like everybody else, i wanna pay my dues. (i only want someone to tell me who to make the check out to.)”

My emphasis added…

Music I want to actually pay for

Music I want to actually pay for:

Hmmm… any more suggestions? Comment away, commenting mofos!

Sorry, I keep updating this post with new stuff as I remember. Technically, I should be adding them in the comments myself, but it’s my site and I’ll do as I please…)

The Life Aquatic with Steve Zissou (2004)

I saw “The Life Aquatic with Steve Zissou” last night. It’s my new favorite Bill Murray/Owen Wilson/Wes Anderson movie. The entire movie maintains a very skewed view of the world, just slightly out of step with the world we live in. The only inauthentic scene, I think, is a minor one, seen in the previews, where Bill Murray is dancing to the electronic music being piped over his SCUBA helmet. I thought the computer-animated sea-life would be jarring or out of place but in context of the movie they were perfect.

Owen Wilson’s Kentucky accent comes and goes, but I think (I’m hoping) that it was deliberate.

I think the David Bowie songs, sung acoustically in Portuguese, were an especially apt touch.

Harvey Danger at the Crocodile 12/19/2004

Warning! Long post!

After a short painful run yesterday (I think I’ve got a cold, since I can’t breathe well and have picked up a cough) on the Waterfront, my first outside run in weeks, Caleb and I got some lunch at La Terrazza (pasta is goooooood) and abused my FlexCar membership to drive 176 miles north. The goal was, of course, to see Harvey Danger play a small club in Seattle to celebrate Christmas and their new EP. Was that confusing? I mean, both the band was celebrating, and Caleb and I were celebrating. We all were, but, y’know, for different reasons.

We left town and immediately ran into bad traffic, having not even gotten out of Portland city limits. An early frustrating start. I have, in the past, made the trip from Portland to Seattle in just over 2 1/2 hours, and was hoping for a similar trip tonight. Because we got a late start in getting out of town, I was banking on it, actually, which is always a bad idea.

Once we got moving, though, I felt better. I blasted north, and Caleb played DJ with my iPod. It’s funny when I let other people play with it, what they come up with. I’m constantly asking, “That’s on there? I have that in my collection? Really?” And Caleb points out that I can’t complain, since everything on there is on there by my choice. Even the ABBA songs, that I have no idea how they got on there.

More bad traffic outside of Tacoma slowed us to a crawl. The show, the show… There were three bands playing, Harvey Danger was the headliner, we were going to the early, all ages show (because Caleb’s still six months away from full-fledged citizenship) and we had never heard of the opening acts and therefore were OK with missing one or both of them. Which was a good thing, since we were going to be late. Also, the tickets were only $10, it’s not like we were going to be out a lot of money if we missed it completely.

Caleb wanted to flip off a Hummer H2 that we saw, all because of a website where people send in pictures of themselves “saluting” the disguised Chevy Tahoes that posers drive. It took several tries but he finally got an acceptable picture. He’s going to send it in. I was worried that the driver would see us and pull out a shotgun or something; Caleb berated me for assuming the driver was male. It was not, it was a smallish woman. Still might have owned a shotgun, though.

On the drive I realized that going for a run when I’m coming down with a cold, then failing to stretch properly and then sitting in a fixed position for three hours is a Bad Idea. My hamstrings will never forgive me. And with the traffic I was unable to use the cruise control so I could properly stretch out my legs. Pain, pain, pain. Between the pain, the frustration of potentially missing the show, and Caleb choosing some angry metal music, I could tell I was heading for a bad mood. I asked Caleb to find some more upbeat music and he came through by queuing up Cake. Cake always makes me smile, even their so-so new album. That was followed up by They Might Be Giants, another good choice for erasing anger.

When we finally got moving again, we were nearly to Seattle city limits. Passed the Boeing plant, and we could see the spectacular downtown, so immensely tall from our vantage point. The day had been clear, and now it was cold but with a small bit of fog. (Yeah, I took plenty of pictures.) The freeway split, and I took what didn’t look like the exit. Unfortunately, we ended up on the “Express” freeway. You know, the one with no exits. Dammit! We were supposed to get off at the Stewart exit. We took the very next exit (a couple of miles down the road), and then came back on surface streets, and, entirely by accident, while looking for a way to get back on the freeway, we ended up on Stewart Street. Such luck! The directions worked from there and we got to the club, the Crocodile Cafe — after the band had taken the stage. The bouncers said they’d just cut off the cover. We could have gotten away with not paying.

The club has a front restaurant area, and another large room with a stage where the bands play. We walked in and Sean was singing a slower version of “Jack the Lion” from their first album (also, apparently, on their EP). We stayed to see the rest of their set, another 4 or 5 songs, plus a 4-song encore. Mr. Nelson bantered with the crowd over a name for the horn section he claims to have stolen from The Long Winters. I hadn’t ever seen the Long Winters with a horn section, so it was news to me. Must be something they’ve added recently…

Someone has posted set lists for both shows on their official site. Here’s the set list of the show we saw:

  • Carlotta Valdez
  • Sad Sweetheart of the Rodeo
  • Old Hat (featuring Megan of Racetrack on backing vox)
  • Problems and Bigger Ones
  • Sometimes You Have to Work on Christmas (Sometimes)
  • Wine, Women, and Song
  • Jack the Lion
  • Why I’m Lonely
  • Authenticity
  • Plague of Locusts (featuring brass section)
  • Meetings With Remarkable Men (featuring brass section)
  • Flagpole Sitta (featuring brass section)
  • —encore—
  • Wrecking Ball (featuring cello player)
  • Pike Street/Park Slope (featuring cello player)
  • Radio Silence (featuring cello player)
  • Diminishing Returns *brand new*

So it looks like we missed a few good ones… still worth it, though. I even snuck a couple of pictures with my camera phone, although they totally suck, out of focus and tiny.

Tiny and fuzzy but you can still make out Sean Nelson’s craaaazy hair. Update 26 January 2022: picture lost like tears in rain, sorry. – Brian M.

After the show we each bought copies of the EP (sorry, all you Christmas shoppers out there; I bought it because I wanted it, and because by buying it at the show the band gets more of the money; support your local artists!) and then we walked to Seattle Center to go up on the Space Needle. I got some awesome pictures of Seattle being enclosed in fog from the observation deck, although it’s difficult to take good pics at night without a tripod. Several of them are blurry when they’re blown up full-sized. I bought a shot glass for my collection.

Wandering around the Seattle Center we were harrassed by a security guard who turned out to be quite apologetic for being so harsh.

Dinner was at a restaurant called Mamma’s Mexican Restaurant. There were either two competing radios in there or someone had been making very strange remixes. My favorite was hearing Radiohead’s “Pakt Like Sardines In a Crushd Tin Box” intermixed with Ton Loc’s “Wild Thing” — they actually worked together pretty well. I fell in and out of love with the waitress, and managed to make her laugh on several occasions, even though she ultimately broke my heart. Her loss, since I was leaving town and likely wouldn’t be back there any time soon. I hope she’s doing OK. Probably drunk and trying to forget today.

Trying to find our way onto the freeway again was troublesome, especially with the fog, so we decided to stop for directions. I was going to ask at a Burger King, but Caleb suggested, instead, a bowling alley across the street. Turns out the guy behind the counter was a character, salt-and-pepper haired and wiry and tattooed in a way that indicated he’d done hard time. His directions were pretty easy to follow and led us through a residential neighborhood and up and down several steep hills, but ultimately got us back on I-5 south.

The drive back was remarkably uneventful. Traffic was light, once past Seattle the fog lifted and did not return, and we only made one stop for a bathroom break and to steal some of the free cookies. Round trip was just under 380 miles. And totally worth it.

Closer (2004)

More brutalful stories:

“Closer”, staring Jude Law, Julia Roberts, Natalie Portman, and Clive Owen, is brutal. No heroic characters, everyone makes bad choices and rationalizes their actions and in any other movie would be considered unsympathetic… and yet, seeing the four of them go ’round and round trying to figure out what they want and how to get it… and failing, often… is an amazing experience.

Most Highly Recommended.

Long Winters in studio

I’ve mentioned KEXP, a Seattle-area listener-supported radio station that plays great local and indie-pop (and lots of other stuff) music. I listen as much as I can. You’d think that wouldn’t be a lot, since I live in Portland, OR, hundreds of miles south of Seattle, but thanks to the internets, I not only get rumors but I get streaming feeds from KEXP.

John in the morning yesterday had John Roderick as an in-studio guest, (shortly after 9:36 AM, according to their web-based archived playlist. Roderick is the main member of The Long Winters, a band who, I think, should get far more airplay than they do. Roderick’s lyrics and arrangements are catchy, sweet, and very much like indie-pop versions of traditional Irish folk songs.

Roderick traded quips with the DJ, and sang three songs; “Ultimatum”, a brand-new song that is supposed to appear on the Long Winter’s upcoming third album, “Cinnamon”, a great sing-along song from their second album “When I Pretend To Fall”, and “Fire Island”, a brand-new song that apparently isn’t going to appear anywhere but here, or possibly in live performance (if Roderick can find and train a band that will stick with him long enough to tour).

I have fond memories of Long Winters concerts… so I was transfixed Friday morning, resisting the urge to call up friends (and ex-friends) and tell them to tune in. It was… brutalful.

Sluggy Backstory

Second, one of the webcomics I follow is Sluggy Freelance, which has been running for years. I’ve been reading it for 5 years, and there’s a whole lot of backstory, so it’s taken on a depth just from sheer history that not a lot of comics have.

At any rate, the current story would take paragraphs and paragraphs to explain, but the main character, Torg, is just a regular guy but right now he’s on this quest or something. He’s spent the last several months in an alternate universe that was taken over by demons from the Dimension of Pain, and in that universe Torg met the alternate version of Zoe. In his regular universe Zoe and Torg are friends, and have tried to date but it’s never worked out. Torg still has feelings for Zoe, though.

And, yes, you guessed it, because alternate-universe-Torg has gone missing, our Torg steps in for him, and Zoe and our-Torg fall in love.

Which is all just backstory (and recent backstory, too! I told you it was complicated (yes, it’s very much like a geek soap opera))… and it all leads up to two of the saddest moments in the history of the comic.

(Pete Abrams is the creator of the comic)Why, Pete? Why did you have to kill off alternate-Zoe? I was unbelievably saddened when she died. Maybe it’s just the stupid holiday season that’s got me so emotional (I friggin’ hate the holidays) but… dammit.

And then, in the past week, came the moment when our Torg rescues alternate-Torg from the Demon-King’s freezer (see, Torg is trying to get the Ziploc-baggie of Goodness stored in the fridge, and the Demon-King’s fridge has the freezer-side on the right, not on the left like Torg expected… oh, go read it, it’ll make more sense that way)

…and it hit me. Our Torg has his own Zoe to go back to (although any geek worth his caffeinated beverage knows the pain of having a relationship and then having to go back to “being friends” and that is precisely what our Torg will have to do, with the added pain from having our Zoe not know what went on between our Torg and alternate Zoe (I just can’t see Torg telling Zoe what his relationship with alternate Zoe was, but I’ve been wrong before (Why?! Why did you kill her, Abrams?!)

…but alternate Torg has lost his Zoe forever.

Dimension of Pain, indeed.