“She’s my Rushmore, Max.”

Another Monday night, another revival from the Independent Film Revival folk. Tonight was the first entry in the “Directing Dysfunction” series – “Rushmore” (1998).

I’ve only seen this one once before, several years ago, on cable, and I wasn’t paying much attention at the time. To see it tonight with a motivated and appreciative crowd is a treat. Wes Anderson may be an acquired taste for some, but I will always enjoy the mannered and stylized dialogue, the exceptionally art-directed cinematography, and the soundtrack of 1970s folk songs. Bravo, Wes Anderson. Bravo.

Old Jedis never die, they just fade away

Is it wrong to talk about movies instead of soldiers on Memorial Day? If so, I apologize in advance.

My experience growing up, and continuing to this day, is that Memorial Day signals the start of the summer blockbuster movie season. It’s not really summer to me without a big-budget sci-fi extravaganza in the theaters, a movie to wait in line to see, a movie with lots of hype and merchandising.

It was only when I got older when I realized how disrespectful that was.

My father served in both the Navy and the Coast Guard. He rarely talked about that service; he viewed it, I think, as just a means to get away from a rough situation at home, and a way for a poor kid from Jersey to get an education. He learned a trade, electricianisming, and got to see a little bit of the world, including atomic blasts in the South Pacific, and ended up on the West Coast to meet the woman who would be his wife for over 40 years, and he put all that military stuff behind him.

I remember him telling me, when I was a teenager, that military service wasn’t necessarily the best route for me. I had a few friends who joined one or the other armed services; Troy, the guy who married Karen after high school, became an Army Scout. Charlie, a friend I met though playing Dungeons & Dragons, went into Naval Intelligence. Few of my other peers even thought military life was an option.

Am I over-generalizing? Maybe. I’m just now realizing just how much of pacifists my group was. I remember my Great Aunt Carmen complaining about how popular “Star Wars” was by saying, “all these kids are against war… and then they flock to see a war movie!” I was offended. Not by her generalization of peace-loving hippies, but by suggesting that “Star Wars” was comparable to “Force 10 From Navarone” or “The Big Red One”. I was blind. I mean, I even overlooked the very word, war, was in the title. But it was a different kind of war, I thought. Underdog rebels against the super-powered weapons and billions of stormtroopers, sure, but victory came down to individuals. Luke and The Force putting that proton torpedo in exactly the right spot, while Han Solo caused Darth Vader to go spinning off into space.

And before that could happen, Obi-Wan had to lay down his life to let them all get away. Obi-Wan was the soldier whose death affected me first. A fictional warrior who didn’t really die, not with The Force on his side.

Memorial Day weekend after Memorial Day weekend, year after year, summer wasn’t actually here until I’d gone to see a summer blockbuster. 25 May 1977 – “Star Wars” was released. 25 May 1979 – “Alien” was released. 21 May 1980, duh!“The Empire Strikes Back”. “Raiders of the Lost Ark” in 1981, “Star Trek II: The Wrath of Khan” in 1982, “Return of the Jedi” in 1983…

But the older I got, the more the reality of war impinged on my life. I came to know men and women who served in combat, notably during the First Gulf War. I slowly learned just why people were afraid of Vietnam Vets, and why Vietnam Vets were right to feel abandoned. My father felt more and more comfortable with his past service. I had my eyes opened by learning that members of my own family had had horrific war experiences long before I’d been born. And one of my closest friends and his wife is a veteran of military service.

And, of course, President George W. Bush lied us into occupation of a foreign country who posed no threat to us, leading to untold numbers of dead and wounded.

I know that the dead are not coming back; they’re dead and gone forever. They won’t float, transparent and suffused with a blue glow, to impart words of wisdom to the living, as Yoda and old Ben Kenobi did to Luke. They won’t be resurrected by the powers of the Genesis Device, to live again, as did Mr. Spock.

I hope that they died doing what they thought was right, and knowing that there are people, many people, out there who feel humbled and honored by their service, by the risks that they take and the challenges they overcome.

Happy Memorial Day.

Lost in space

In May 1981, I was already a huge nerd for movies. Specifically movies from George Lucas and Steven Spielberg. Lucas had come to my attention due to his writing and directing a little popcorn flick called “Star Wars” (which, not so coincidentally, opened 31 years ago today), and had followed it up by writing and producing the much-darker and almost universally acknowledged superior “Star Wars Episode V: The Empire Strikes Back”.

“Star Wars” was for me, like many men of my generation, a turning point. But I didn’t get to see the movie until late in the summer, as I recall. It opened while I was still in school, sixth grade at North Oak Grove Elementary School. The following fall, I would be going to Oak Grove Junior High, so there was already a sense of change in the air for me; new school, new routine. But my friends all got to see this movie long before me. After Memorial Day weekend, they returned to the classroom and playground with tales of Jedi, and Sith Lords, and Millennium Falcons, and TIE Fighters, and Artoo and Threepio. I couldn’t make heads or tails of what they were talking about, but it all sounded like the most fascinating thing in the world – even more fascinating to me than Julie Phillips, the brunette muse that had attracted my shy attention but whom I never actually spoke to.

When I would ask about going to see this movie, my dad would refuse outright. The movie was so popular that there were lines at the theaters. Lines! Can you imagine! “No way in hell am I going to stand in line for a fucking movie!” my dad declared. This nearly broke my heart. However, through my Science Fiction Book Club membership, I sent away for a copy of the novelization for the movie, and devoured it in a single sitting. I would tell my parents and sister all about how this was just one chapter in the Adventures of Luke Skywalker, and explain that the Old Republic was legendary, but how it had fallen to the predation of Palpatine, who declared himself Emperor. It was as much, if not more, nonsense to them as my friends’ explanations had be to me. OK, maybe far more. Now I knew the story but I still ached to see the actual movie.

Then, after school had let out for summer, came word that “Star Wars” was playing at a tiny little theater in tiny little Estacada, about 25 miles south east along the Clackamas River. There were no lines there. There was also no Dolby Sound and no 70mm film print in all its widescreen glory, but I was 12. I had few options unless I was willing to compromise. Mom, Dad, my sister, myself, and my Grandma Hayner all drove out one summer afternoon, and for the first and last time in my life I sat in that theater and watched what had only been words on a page become real. Even on the smaller screen, even with “normal” sound, even surrounded by the dank smell of summer sweat and popcorn… “Star Wars” took me away. All other viewings of that movie don’t compare to that one instance. And believe me, I have seen that movie many many times since then.

Spielberg had directed “Jaws” in 1975, which I have never seen to this day in its entirety but was a source of conversation to my grade-school buddies, and in 1977, “Close Encounters of the Third Kind”. It was a much gentler alien invasion flick. The first time I saw CE3K, I and my nephew had to convince my dad to drive clear across town to the Eastgate theater, which he did, grumbling all the way, and taking back streets to avoid the horrible traffic of SE 82nd Ave. We arrived late, after the movie had already started, a huge source of annoyance to me at the time. I wouldn’t argue with my dad, though; well, maybe a sarcastic remark in passing. Kevin and I had to sit near the back, and right in front of a speaker tower for the then-new Dolby sound system. If you remember the climactic chase at the end of the movie, that particular speaker was solely responsible for the sounds of the helicopters which chased Roy around Devil’s Tower. Helicopters are loud.

So much so was I captured by the vision of Lucas’ galaxy far, far away that it became the central obsession in my life, neatly supplanting Star Trek. So much so that when the sequel, “The Empire Strikes Back” came out in 1980, that I and my friends read the novelization, read the comic books, bought (and stole – I’m not proud of that now but I’m sure the statute of limitations is long since up by now) the action figures, listened to the soundtrack and “The Story of” LPs… everything. Everything. I was a sophomore at Milwaukie High School now. My mom drove me and Kevin out to the Westgate theater for opening night. And, yes, we stood in line. We were almost turned away, but when the theater employees came out to say there were three seats left, but not all together, we were ushered inside. I had to sit in the very front row, waaaaay off to one side, but it didn’t matter. I knew that this would be one viewing out of many. And for the rest of the summer, when Terry and I had nothing else to do, we would take the long bus ride from Milwaukie to Beaverton to see “Empire”.

Spielberg was also the director of the amusing but under-rated “1941”, which made me and my high school budies, Terry, Andy, and Rodney, laugh at the time, but which I no longer remember many details of. I remember John Belushi in a WWII Airman’s uniform, and a ferris wheel breaking free and rolling into the Pacific after being attacked by Japanese Zeroes. And that’s about it. We liked it because it was from Spielberg.

So in the summer of 1981, I was now a junior in high school. I had more interest in girls but still lacked any sort of courage. I remember most of high school as hanging out with my buddies, playing Dungeons and Dragons, talking about “Star Wars”, and an unending series of crushes on cute girls. I was smart enough that my classes posed no challenge to me – well, except for the obstacle of actually doing my classwork. I was distracted and often late in my work. Didn’t they understand? There was a galaxy at war, people! Far more important matters were at hand. I fantasized about the Millennium Falcon landing on the high school football field and taking me away, and Han Solo reluctantly allowing me to pilot the ship, and being amazed at how well I flew for a kid.

And as summer approached that year, so did news of the first-ever collaboration between Lucas and Spielberg. It starred Han Solo – I mean, Harrison Ford. I had been burned before by learning early that Darth Vader was Luke’s father, so this time around I avoided reading much about the movie. I knew it was a throwback to the pulp stories of the 1930s… and that’s about it.

The movie opened on 12 June 1981, which I remember being the last Friday of the school year. I went by myself to the Southgate theater, a theater that has been not just closed, but completely eradicated from existence since those days. The building was a cinder-block warehouse, with two large theaters and two smaller ones. “Raiders” was playing in the largest theater, and for some reason I remember the crowd for that showing being rather small. There were empty seats. And as I watched and enjoyed the movie, I kept getting distracted by a couple sitting ahead of me.

It was Karen Hatton and her boyfriend, Trey.

Karen was my then-current crush. Snarky before snarky was a word, funny, imaginative, blonde-ish, thin. She was just as much into “Star Wars” as I was, which made her that much cooler. Oh, and she had gone out with my best friend, Terry Mantia, waaaaaay back in junior high, and they remained friends, so Karen was a part of my circle of friends. And so was Amy Dinkler, Karen’s best friend. The four of us shared a few classes, including Drama class, and we would talk about all the important things in the world, like whether Princess Leia would choose Luke or Han (little did we know), and whether the Emperor could afford decent marksmanship training for stormtroopers, and if there was anything a lightsaber could not cut.

I crushed hard on Karen. I didn’t notice Amy until senior year, when I discovered that she had been crushing on me for a year or more.

Sitting in the Southgate theater, my attention was split between the fantastic adventure on the screen and the practical drama in front of me. Trey and Karen were making out in the dark. After the movie, my head filled with images of giant rolling boulders and melting faces, my sights were filled with Karen and Trey holding hands and walking out into the parking lot and into his car. Trey, you see, was a senior. An older man.

The following week, we still had a few days of school left, but mentally everyone had checked out. The only reason we came back, I think, was to pick up our yearbooks and get them signed. As I wandered around the hallways with Terry, his gray fedora perched on his head, I alternated between telling him about “Raiders” and complaining about Karen. His advice was to stay away from Karen. “She’s got issues.”

Don’t we all?

Little-known Fact

Indiana Jones was the reason I started wearing hats. My first girlfriend, Amy, gave me an Indy hat as a Christmas gift.

And, yes, I very much enjoyed the latest installment. It’s note-perfect.

I didn’t know that

I really need to do a full-on write up of it, but before I dash downtown for more exciting jury duty I wanted to note that Kevin and I saw “OSS 117: Cairo, Nest of Spies” last night.

The lead, Jean Dujardin’s facial expressions and body language were note-perfect in capturing the camp of a 1960s spy movie. Kevin and I could not stop mimicking his serious look and winning smile for hours after the movie. I may end up making those same expressions today, which will surely confuse my fellow jurors.

Good trip

As mentioned previously, tonight I attended a screening of Terry Gilliam’s film version of Hunter S. Thompson’s book “Fear and Loathing in Las Vegas”.

Whole lotta hipsters there. I guess me, wearing my fedora and Chucks, fit right in.

The movie is just as drunken and elliptical as I remember it. It’s as close as I ever hope to get to being actually stoned.

I’ll stick to drunk, thanks very much. That’s as out-of-control as I ever need to be.

Go!

“Speed Racer” feels like an entire TV season packed into a 2 hour and 15 minute movie.

And not necessarily in a good way.

Visually amazing, though. Can’t really follow what’s happening a lot of the time, but still looks amazing.

Shellhead

Make sure you stay all the way to the end of “Iron Man”.

And knowing about the Marvel universe helps make the movie more enjoyable.

George Clooney carries a ball and the movie

Got out of work at 4:30 tonight. By 4:38 I was standing in the lobby of the Pioneer Place Theaters, ticket in hand to see Leatherheads.

Cute movie, but the timing seemed a bit off to be the screwball comedy it clearly wanted to be. Also caught John Krasinski looking directly into the camera on at least one occasion, which works for “The Office” but not so much for a major motion picture. Hope that guy finds another role that suits him. I like him but he needs to bust out.

Also, I think I have a little crush on Renée Zellweger. I don’t get it, either. But she’s cute.

“Expelled” is a deeply dishonest movie

“Expelled: No Intelligence Allowed” is a deeply dishonest documentary.

I’m mad enough about it to give the movie and its claims a full-on, point-by-point rebuttal, but here’s two small tastes.

Did you know that Darwin was responsible for The Holocaust? That’s practically the film’s central thesis. They start laying the groundwork for that little bit of propaganda right from the top, as the credits roll over stock footage of the building of the Berlin Wall. Communists, Nazis… and Charles Darwin. The 15 minutes (I’m guessing) of Ben Stein being given a tour through a Nazi sanitarium and concentration camp are surreal – is this really appropriate for a movie purportedly about science? The film descends into self-parody long before Ben Stein tries to pin the evils of the world on noted hate-monger John Lennon.

No. I am not kidding. That’s the level of evidence that Mr. Stein and the producers are aiming for. Judge them by their conclusions.

Another argument the film tries to make is that scientists who attempt to research “Intelligent Design” are somehow shunned and blacklisted from the scientific community, denied any grant money and silenced for daring to challenge the orthodoxy of Darwinism (the over-use of that word makes Darwinism seem like some dangerous cult, doesn’t it?). But in order to evaluate that claim, the film’s producers leave out a huge piece of evidence for evaluating said claim, and leave out some background material to boot.

Like… the evidence. There’s virtually no discussion of what research Dr. Gonzalez (who is a senior fellow at the Discovery Institute, noted creator and proponent of the wedge strategy to get religion back into public schools), Dr. Meyer (Director of the Center for Science and Culture, a branch of… hmm… the Discovery Institute), or Dr. Crocker (Executive Director of the Intelligent Design and Evolution Awareness Center, whose board consists almost entirely of Senior Fellows of… hmmm… the Discovery Institute, again), were all pursuing. The most information we get is that their research included the phrase “intelligent design” and that they had their contracts not renewed, their tenure denied, and their research money taken away.

Gee, those poor scientists, just scraping by on the meager earnings they get from the Discovery Institute and the IDEA Center, which has funding from Christian conservatives in the millions. Yeah, that’s sad. And obviously they’ve been simply crushed by the scientific community. Oh, wait, no – they’re all collecting incomes and getting grant money from those pseudo-scientific and secretly-religious “think” tanks.

But, besides the money issue – where’s the research and evidence that is supposedly being denied? If their research is, in fact, credible and not just strings of half-truths and bad logic, why didn’t the producers spend some of their time on, y’know, showing the evidence? Oh, wait, they were too busy dwelling on the horrors of Dachau. I forgot.

Even on the “Expelled” website (which I am not linking to – Google it yourself) there’s absolutely no mention of their research. Maybe because said “research” couldn’t even stand up to a layperson’s review.

So much more to say… but suffice to say that “Expelled” is simply dishonest. Much like the Creationism movement itself.